PUBLICATIONS & ACCOLADES

Envisioning Gender in Burgundian Devotional Art, 1350-1530: Experience, Authority, Resistance. Ashgate, 2005.

'Impressive archival research, sophisticated theoretical analysis, and superb writing.' Honorable Mention for Best First Book, Society for Medieval Feminist Scholarship

 

Women and Portraits in Early Modern Europe: Gender, Agency, Identity. Ashgate, 2008.

'Makes a major contribution to the subject of female portraiture in early modern Europe.' Parergon

 

 

'Gendered Subject, Gendered Spectator: Mary Magdalen in the Gaze of Margaret of York,' Gesta 44/1 (2005): 47-66.

'Outstanding in argument, wealth of significances, and writing style.' Article of the Month Award, Feminae: Medieval Women and Gender Index

 

 

LIST OF PUBLICATIONS

Books

  • Women and Portraits in Early Modern Europe: Gender, Agency, Identity, ed. Andrea Pearson. Aldershot, Eng.: Ashgate, 2008.
  • Envisioning Gender in Burgundian Devotional Art, 1350-1530: Experience, Authority, Resistance. Aldershot, Eng.: Ashgate, 2005.

Articles

  • 'Images of Women,' commissioned for the Ashgate Research Companion to Women and Gender in Early Modern Europe , ed. Jane Couchman, Katherine McIver, and Allyson Poska. Aldershot, Eng.: Ashgate, forthcoming (2013).
  • 'Productions of Meaning in Portraits of Margaret of York,' Women and Portraits in Early Modern Europe, ed. Andrea Pearson, 36-54. Aldershot, Eng.: Ashgate, 2008.
  • 'Gendered Subject, Gendered Spectator: Mary Magdalen in the Gaze of Margaret of York,' Gesta 44/1 (2005): 47-66.
  • 'Spirituality, Authority, and Monastic Vows: An Antependium from the Community of Flines,' in Studies in Cistercian Art and Architecture VI, ed. Meredith Parsons Lillich, 323-63. Kalamazoo: Cistercian Publications, 2005.
  • 'Margaret of Austria's Devotional Portrait Diptychs,' Woman's Art Journal 22/2 (Fall 2001/Winter 2002): 9-25.
  • 'Nuns, Images, and the Ideals of Women's Monasticism: Two Paintings from the Cistercian Convent of Flines,' Renaissance Quarterly 54 (2001): 1356-1402.
  • 'Personal Worship, Gender, and the Devotional Portrait Diptych,' Sixteenth Century Journal 31 (2000): 99-122.
  • 'Frank Leslie's Illustrated Newspaper and Harper's Weekly: Innovation and Imitation in Nineteenth-Century American Pictorial Reporting,' Journal of Popular Culture 23 (1990): 81-111.
  • 'Gilbert Stuart's The Skater (Portrait of William Grant) and Henry Raeburn's The Reverend Robert Walker, D.D., Skating on Duddingston Loch: A Study of Sources,' Rutgers Art Review 8 (1987): 55-70.

Summaries and Catalogue Entries

  • Workshop summary: 'Fathers and Sons,' in Masculinities, Childhood, Violence: Attending to Early Modern Women--and Men. Proceedings of the 2006 Symposium, with Allison Levy. Edited by Amy E. Leonard and Karen L. Nelson. Newark, DE: University of Delaware Press, forthcoming (2010).
  • Workshop summary: 'Gender and Figure in the Arts of the Renaissance,' in Structures and Subjectivities: Attending to Early Modern Women, with Stephen Whitworth and Todd Borgerding, 306-7. Cranberry, NJ: Associated University Presses, 2007.
  • Catalogue entries for illuminated manuscripts, Le dyalogue de la duchesse de Bourgogne à Jésus Christ (London, British Library, ms. 7907) and La vie abrégée de la tressaincte vierge seur Colette (Arras, Bibliothèque municipale, ms. 461), for Women of Distinction: Margaret of York/Margaret of Austria, ed. Dagmar Eichberger, nos. 83, pp. 244-45 and 96, pp. 257-58. Leuven: Davidsfonds, 2005.

Book Reviews

  • Prayers and Portraits: Unfolding the Netherlandish Diptych, by John Oliver Hand, Catherine A. Metzger, and Ron Spronk, exh. cat., National Gallery of Art, Washington, D.C., and the Koninklijk Museum voor Schone Kunsten, Antwerp, in association with Harvard University Art Museums (New Haven: Yale University Press, 2007), for caa.reviews (www.caareviews.org), 2008.
  • Saints, Sinners, and Sisters: Gender and Northern Art in Medieval and Early Modern Europe, ed. Jane L. Carroll and Alison G. Stewart (Aldershot, Eng., 2003), Woman's Art Journal 26/2 (Fall 2005/Winter 2006): 62-63.
  • The Lost Tapestries of the City of Ladies: Christine de Pizan's Renaissance Legacy, by Susan Groag Bell (Berkeley, 2004), for caa.reviews (www.caareviews.org), 2005.
  • Saracens, Demons, and Jews. Making Monsters in Medieval Art, by Debra Higgs Strickland (Princeton, 2003), Sehepunkte 5/2 (2005), www.sehepunkte.de/2005/02/2881.html. Also published in Kunstform.
  • Painting and Patronage in Cologne, 1300-1500, by Brigitte Corley (Turnhout, 2000), Sixteenth Century Journal 35 (2004): 522-23.
  • Art and Piety in the Female Religious Communities of Renaissance Italy: Iconography, Space, and the Religious Woman's Perspective, by Anabel Thomas (Cambridge, 2003), Kunstform 5/2 (2004), http://kunstform. historicum.net/2004/20/3806.html.
  • Virtue and Beauty: Ginerva de' Benci and Renaissance Portraits of Women by David Allen Brown, et. al., exh. cat., National Gallery of Art (Washington, D.C., 2001), Sixteenth Century Journal 33 (2002): 1191-92.
  • Pleasant Places: The Rustic Landscape from Bruegel to Ruisdael by Walter S. Gibson (Berkeley, 2000), Seventeenth Century News 59 (2001): 128-30.
  • The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany by Jeffrey F. Hamburger (New York, 1998), Sixteenth Century Journal 30 (1999): 852-53.
  • Nuns as Artists: The Visual Culture of a Medieval Convent, by Jeffrey F. Hamburger (Berkeley, 1997), Historians of Netherlandish Art Newsletter (May 1998): 26-27.
  • Women, Art, and Spirituality: The Poor Clares of Early Modern Italy, by Jeryldene M. Wood (Cambridge, Eng., 1996), Sixteenth Century Journal 28 (1997): 1341-43.
  • A Tribute to Robert A. Koch: Studies in the Northern Renaissance (Princeton, 1995), Renaissance Quarterly 50 (1997): 62-63.
  • The Altar and the Altarpiece: Sacramental Themes in Early Netherlandish Painting by Barbara G. Lane (New York, 1984), Iowa Journal of Literary Studies 8 (1987): 156-58.